Felix Mendelssohn (1809−1847): Rondo-Capriccioso for violin and piano Anna Savkina (violin) Natalia Igumnova (piano) Official website. Старинные ноты Годар Баркарола Вакс Болеро Мендельсон Рондо-каприччиозо Григ (Ж37).
Mendelssohn – Rondo Capriccioso, Op. 14
They had met earlier in Paris in 1825, and Mendelssohn was quite taken with her. He thought about proposing marriage, but never did. The Rondo Capriccioso is in two sections: Andante In E Major - Modern research has determined that this section was added to the original etude in E minor during the revision of 1830. It lyrically leads to a segue to the next section.
When E major returns, a series of diminished seventh chords gradually darken the scene with minor mode colours. It creates a sense of unity of musical content between the two sections that were composed in different years. Mendelssohn also employed this procedure in several other works, including Piano Concertos Nos. The Presto leggiero that comes next explores closely related keys G and E majors before returning to E minor, its home key.
Fortissimo plunging octaves, flashy arpeggios at an ever quickening pace, fast oscillating parallel thirds, and chromatic scales infuse this vigorous section, requiring decent techniques from the performer. An appropriate historical instrument for Rondo capriccioso would be the 1830s Broadwood piano.
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Ф. Мендельсон - Рондо-каприччиозо E-dur
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Friday, July 28, 2017 Mendelssohn - Rondo Capriccioso For Piano, Opus 14 No one is quite sure when Felix Mendelssohn composed the Rondo Capriccioso, with some musicologists offering up as early as 1824 when he was 15 years old. But there is certainty when it was fully composed and revised, for Mendelssohn put the date of June 13, 1830 on the revision. Perhaps Mendelssohn revised it for a specific pianist, Delphine von Schauroth, who was from Munich. They had met earlier in Paris in 1825, and Mendelssohn was quite taken with her.
Mendelssohn interestingly composed this work in reversed order.
Later in 1830, he reworked it by adding the song-like expressive Andante introduction in major as a present for Delphine von Schauroth, a gifted pianist. In a letter to Fanny Mendelssohn, he wrote that he had added some new melodies and passages to the original Presto leggiero, just like adding sauce and mushrooms and he was fairly satisfied with the work. Rondo capriccioso is a virtuoso showpiece that Mendelssohn had intended for professional pianists. The Andante starts with three and a half bars of soft, resonant chords over a solid bass, followed by a lyrical tune. The peaceful atmosphere is interrupted when the semiquavers overtake the beautiful melody and force the music through a C major passage that seems slightly hurried.
Rondo capriccioso is a virtuoso showpiece that Mendelssohn had intended for professional pianists. The Andante starts with three and a half bars of soft, resonant chords over a solid bass, followed by a lyrical tune. The peaceful atmosphere is interrupted when the semiquavers overtake the beautiful melody and force the music through a C major passage that seems slightly hurried. When E major returns, a series of diminished seventh chords gradually darken the scene with minor mode colours. It creates a sense of unity of musical content between the two sections that were composed in different years. Mendelssohn also employed this procedure in several other works, including Piano Concertos Nos.
Мендельсон. Рондо - каприччиозо. Ор 14 — 5461460
Прочитай о Rondo capriccioso от Felix Mendelssohn с альбома Everyone's Favorite Synthesizer Pieces, посмотри дизайн обложек, найди текст песни и познакомься с похожими исполнителями. Classeek Showroom performance, 14 September 2023 | Discover the next generation of classical music artists in Classeek’s online concert series, broadcast live via the Classeek website. ьсон "Рондо-каприччиозо", запись с Impressive Quartet - Мендельсон "Рондо-каприччиозо" (LIVE) и другие музыкальные треки в хорошем качестве 320kbps в mp3. Все новинки музыки 2024 года на сайте «Рондо-каприччиозо» – произведение немецкого композитора Мендельсона. Интродукцию и рондо каприччиозо Камиля Сен-Санса исполняют Ольга Рылатко (скрипка) и Анна Балакерская (фортепиано). Mendelssohn: Rondo capriccioso, Op. 14 без ограничений!
Рондо каприччиозо
14, Rondo capriccioso in E major for piano (1824). Рондо-каприччиозо — сольная фортепианная пьеса Феликса Мендельсона. Дата составления неясна: данные свидетельствуют о том, что оно было завершено в 1828 году (без вводного раздела, который будет добавлен двумя годами позже). Rondo capriccioso: op. 14. Bookreader Item Preview. Mendelssohn – Rondo capriccioso Op.14 | Мендельсон – Рондо-каприччиозо Op.14Подробнее.
Ф. Мендельсон "Рондо-каприччиозо" Исп. квартет НГК им. М.И.Глинки Класс А.В. Рубина Новосибирск
Феликс Мендельсон | «Рондо-каприччиозо» Op.14 Исполняет: Варвара Захарова (фортепиано, Алтайский край). Начало трансляции и онлайн-концерта в 14:30. Mendelssohn (Red Classics). Композитор: Феликс Мендельсон. 2015 мировая классика. Мендельсон – рондо каприччиозо ми мажор. F. Mendelssohn. from VICTOR MONTIEL FONTES by Victor Montiel.
Ф. Мендельсон. Рондо каприччиозо.Op. 14
В концерте прозвучат знаменитый Концерт для скрипки ми минор Феликса Мендельсона и Рондо каприччиозо Камиля Сен-Санса, а также Концертная фантазия на темы из оперы Джорджа Гершвина «Порги и Бесс» и «Цветущий жасмин» для скрипки. каприччиозо. Ор 14. Находится в музее — Музей Музыки под регистрационным номером — 5461460. Mendelssohn: Rondo Capriccioso Op. 14 in E Major. Ф. Мендельсон ор.19 Рондо-каприччиозо. Исполняет ученица ГБУДО г. Москвы «Детской музыкальной школы имени В.В. Андреева»: Недельская Дарья (6 класс).
Нотный архив Бориса Тараканова
The Rondo Capriccioso is in two sections. Слушайте и скачивайте мендельсон рондо-каприччиозо бесплатно на Хотплеере в mp3 (ID: 8054). Rondo capriccioso Felix Mendelssohn. 06:16.
Рондо-каприччиозо
Following a close on the dominant of E, the Presto, and the Rondo proper, launches forthwith. It is followed by a wholly Romantic tune in G major, serving as the first episode. The prior G major melody reappears first, accompanying also a return to the key of E major. However, the reprise of the sprightly first theme brings with it the minor mode.
Finally, a stormy passage in octaves, marked fortissimo, announces the end of the piece. Different listings provide conflicting information as to the dates of its origin, older ones giving it as 1824 when the composer was only 15.
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